I was involved in a particularly interesting conversation about my identity. Yes, yes, of course I find it interesting because it's about me. Anyways, I was talking about how in junior high school I didn't really hang around a lot of Filipinos or those of the Filipino club and the question "Why is that?" came up. I thought about it, and I really didn't know. I responded that it wasn't that I disliked them or anything, but that at the time most of the people in that group were into hip-hop and graffiti art and breakdancing. I didn't do that, nor did I think that I could do that or be as cool as them. I had someone of an inferiority complex, I guess. At the same time, I naively was of the opinion that they were using hip-hop to replace their ethnic culture.
I hung around a multi-ethnic group of people, but they were primarily Asian, except for one guy that was Puerto Rican and German. Two Filipino guys, and two Vietnamese guys rounded out the bunch. And then of course there was my Filipino self.
In high school, I also didn't participate in the Pride of the Pacific club, our local Filipino club, which included many of the same Filipino group that I knew in junior high. Again, it wasn't that I disliked them, but I had little in common with them, other than we claimed to be Filipino.
Even in my junior year, when I really started to pick up my knowledge and appreciation of Philippine and Filipino American history, I still did not associate with them all that much. I had also lost touch with my junior high crew, as one went to jail, and the rest of us just went our separate ways. Occassionally I still run into them, like when my mom passed, but otherwise, it's rare that I interact with them. My interest was in yearbook and in History, and even within those realms there were subgroups to which I was never really affiliated with. In History Day, there was the "Gang of Five" and "Mim and Monsters" and then there was Bobby. They even said it like that: "Mim, Monsters, and Bobby" like I was an afterthought.
In my junior year in college was when I really locked myself into a group. That group of course is Chi Rho Omicron. The rest of the Filipino American organizations on campus, I entered and exited like a protein in a cell. And now in the Filipino community and the organizations in Sacramento, I enter and exit fairly freely and without hesitation.
I was asked if that bothered me. I'd have to say yes and no. I try to be independent, probably a simple consequence of me being an only child and not having someone to really depend on when I needed to lean on somebody. If someone asked me if I had a best friend, I'd really say no. I have a sister that I'd do anything for, namely Maryann, and brothers like Daniel Rubiaco and the brothers of XPO, and then my cousin Rallie, who although I've lost touch with him, I do care about him and his well being. My next closest friends are the crew from high school, but even then I haven't kept up with what's going on in their lives if not for some mutual friends. Of course, I respect everyone until they prove that they are unworthy of that respect, and I consider everyone as valuable.
I used to say that anyone I get close to ends up being hurt. That probably has something to do with my lack of a social group to associate with. Also, I often worry about being a burden on people, and that sort of pushes me to stay away from people too. I'm just a loner I guess. It's pretty recognizable too. For example, at Sinag-tala 2003, I received flowers with a card that read "To my favorite loner." Interesting. I never really thought about it or analyzed it until now. Maslow's hierarchy of needs has nothing on me!
Maybe I'm like Superman, who needs to sort of stay distant so that he can maintain some semblance of a normal life. Yah that must be it.
So I keep on looking at reviews of the movie "Harold and Kumar go to White Castle." I guess there is some good to come out of it. I found out that the reference to White Castle is a reference to a popular 24-hour fast food restaurant on the East Coast. There's none out here in California, so those of us that haven't traveled back east don't know about it. I honestly thought it was some sort of reference to the "royalty" and "privilege" of being white. My bad. I'll probably check this movie out because the buzz is so strong right now. I hope it really does break some of the Hollywood stigma regarding Asians and Asian Americans. The media is so strong. We really don't need to perpetuate the stereotypes. So here's what someone wrote about the movie:
'...opening weekend for any film is extremely important. Studio executives track the numbers from that first weekend's ticket sales and make all kinds of decisions based on that data...if they add more screens, if they will spend more money promoting it, if they will start investing in a sequel...but most imporantly, they decide if elements of the film work and whether they should o it again. In our case, taht means they will be asking, "Will a strong script and story succeed or fail with 2 Asian American guys in non-stereotypical roles?"...this film is our chance to prove that realistic, non-stereotypical depictions can make an audience have a blast, and take in enough money to make this happen in the future...every movie ticket someone buyus is a VOTE, and the cool part is you're allowed to vote as many times as you want. With your support of the film, we will show decision-makers in Hollywood that supporting movies like these is not only the right thing to do, but is also good business. We'll also show YOU what it's like to ride a cheetah, hang glide off a cliff, pick up a hitchhiking Neil Patrick Harris (Doogie Howser), tell off a bunch of ignorant punks, get love interests, and sing Wilson Phillips at the top of our lungs..."
According to Parry Shen, who auditioned for the role that John Cho plays in the movie, "There's a sequel in the works that will probably be contingent upon the box office success. And then, BAM! There will instantly be TWO films out with Asian American leads. These are the baby steps it takes and how it happens. One film makes it easier for the next one to come along. And then the next one - this time maybe without the gross-out humor and then the next one- maybe a romantic comedy, etc. As someone recently said, this opportunity is going to be huge. Unlike when they just throw in obligatory Asian people in stuff like 'The Fast and the Furious.'"
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